For four years during the Great Depression, the United States had something it has never had before or since: a national public theatre. The Federal Theatre Project put thousands of theatre workers back to work and brought live performance to audiences who had never seen a play.
The Federal Theatre Project ran from 1935 to 1939 as part of the Works Progress Administration (WPA), the New Deal program that employed millions of Americans during the Depression. Its job was to employ out-of-work actors, directors, designers, stagehands, and writers, and to bring theatre to communities across the country.
It was led by Hallie Flanagan, a theatre director and educator from Vassar College, who believed theatre should be affordable, local, and connected to the lives of its audiences.
Living Newspapers were one of the Project's most original inventions: plays built from current events, statistics, and public debates, staged with projections, sound, and large casts. Power (1937), shown in the poster above, dramatized how electricity reached American homes and who paid for it. These productions were designed to help audiences understand the issues of the day.
In 1936, the Project adapted Sinclair Lewis's novel It Can't Happen Here, about an American slide into authoritarianism, and opened it in many cities at once. Nearly 400,000 Americans saw it. It remains one of the most ambitious coordinated openings in American theatre history.
The Project drew criticism in Congress, where some members saw its productions as too political. In 1939, Congress ended its funding, making it the first WPA arts program to close.
Many artists who went on to shape American theatre and film got early work through the Project. Its belief that theatre belongs to the public helped inspire the nonprofit and regional theatre movement, including Broadway's nonprofit theatres. It's also a key chapter in our history of Broadway activism.
The Federal Theatre Project treated theatre as a public good that could help citizens understand their country. Broadway for Democracy shares that spirit, using theatre's reach to encourage civic participation. We're nonpartisan and never tell anyone how to vote. Explore the field in our guide to Broadway nonprofits.
From 1935 to 1939.
Hallie Flanagan was its national director.
The Works Progress Administration, a New Deal program.
Congress ended its funding in 1939 amid criticism of its productions.
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